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Q: How has your tone, technique and touch changed (if at all, including equipment) from pre-Sting, then throughout your years with him, as well as your solo records? - from Jonathan

A: I don't think my sound has really changed that much from pre Sting to now. It's more of an evolvement. I am still trying to alter it and experiment. For instance now I am playing the Les Paul, not the Strat. This makes the amps sound different which I am adapting to.

Q: I was wondering if you liked Minimalist music at all. I finally took it upon myself to listen to Steve Reich's Electric Counterpoint for electric guitar and tape, which I love. It occurred to me while listening that, were you interested, this piece would sound good under your fingers. - from Allison

A: For some reason I don't get that kind of music. To me it feels ugly or painful. I have trouble seeing the beauty in it but I know it's there. I just can't feel it. I suppose my relationship to minimalism could be comparable to listening to a poem recited in Japanese without understanding the language. I will look into it more now you have mentioned it.

Q: At the moment I am writing about the connections and influences of Art and Music. I talked briefly with Jazz musicians like Anthony Braxton, Uwe Kropinski or Steve Lehman and get really nice meanings. You know the art-music-thing is very old at this point: Kandinsky-Schönberg-Libeskind, Picasso-Miles, Rothko-Feldman, Boulez-Klee, Rodin-Maler, Warhol-VU... the examples could be endless... My question: How did art (painting, architecture...) take an influence on your music? - from Toni

A: Art and Music? I think there is a strong connection with in the structure and form. Colour contrast is like chord contrast. Picasso was the master at this. Unexpected variations with colour. A colour is only as interesting as the one next to it. Then there are the Dutch masters who focus on detail. Listening to great arrangers like Ravel or Stravinski achieve this. There are a lot of similarities with art and music. As many as you want there to be.

Q: I am a big Jobim fan as I know you are. I love the way he can take an often simple melody, and then harmonize it with some unexpected chords that give the piece fabulous colours. I find this same type of...I don't know...excitement, in Steely Dan tunes as well. Their voice leading reminds me of Jobim. Both composed in part on guitar maybe? Anyways, I'm not very familiar with Bach, but having read some of your comments on his music, I was wondering if you find any compositional parallels between these artists? - from John

A: I am in total agreement with you. Bach's music can be found in anyone who is serious. It's hard to ignore. He was the first real modern user of chords. I hear a lot of Chopin in Jobim. Check out the piano preludes. Steely Dan are incredible. I love Aja!

Q: What do you think about Miles Davis, F.Moreno Torroba and John Scofield? - from Nicole

A: I love Miles Davis. Torroba I am not very familiar with and Scofield is, of course, an incredible guitarist. I will never be able to play like that.

Q: Do you follow many acoustic artists like Pierre Bensusan or Michael Hedges? Unfortunately, Hedges died a few years back, but I was lucky enough to have seen him in concert a few months before. He created some fascinating works, and was an interesting fellow. I'll have to investigate Egberto Gismonti - I love the feeling of Brazilian music. Any suggestions on a first CD to buy? - from Sandy

A: I like Michael Hedges too. There are other guitarists who play like that (who Michael would have been influenced by): John Abercrombie, Ralf Towner, Bert Jansch and a lot of Celtic folk singer songwriters like Dick Gaughan. A good introduction to Egberto Gismonti's music would be "Solo" on the ECM label.

Q: Who are the artists you aspire to? (Besides J.S. Bach, of course!) - from Sandy

A: When I was younger I had huge aspirations to Stevie Wonder. He had the full package (songwriter, instrumentalist, singer, star, cool dude etc). I love the musician Egberto Gismonti from Brazil. His compositions have been and still are an enormous influence on my harmonic growth. The guitarist Jeff Beck is the living daddy of electric guitar. Jimi Hendrix would be if he were alive. I love Earth Wind & Fire. Just love funky American music. They were the best! And many more. How long have you got?

Q: Have you been thinking about what style you'll be playing on the next album? Are you going to continue putting new life into Bach or focus more on creating new material? - From Trish

A: I will be playing more Bach on the next album, for sure. I also want to delve into Chopin, Villa Lobos and Ravel.

Q: Coming from such a varied musical background as you do, are there any artists/bands that your fans would be surprised to hear that you're into? I'm on a blues kick right now...which blues players have influenced your playing besides Hendrix? - From Kevin

A: I think there are two types of blues players. Those who only play the blues (BB King, Robert Johnson, Muddy Waters etc) and those who incorporate blues in their playing. I am more interested in the latter. Players like Jimi Hendrix of course but also, Jeff Beck, Jimi Page, Robin Trower, Eddie Van Halen, Mark Knopfler and even some Jazz players like John Mclaughlin and Pat Metheny.

Q: I started playing the guitar at 7 as my dad taught me how to play Apache by The Shadows. How do you rate Hank Marvin as a guitarist and who was your main influence? - From Chik 

A: I do rate Hank Marvin as a guitarist with a unique voice. My main influences are Jimi Hendrix, Jeff Beck, Jimmy Page, John Mclaughlin and Eddie Van Halen. There are others too. 

Q: I find it very interesting the way you play because you seem to play every song as if it were the first time even though you may have played it many times already. How can you do that? I would like you to tell me what inspired you to write Shape of my Heart because it is one of my favourite songs. - from Myriam 

A: I try to imagine I am playing every song for the first time. That's what keeps it fresh for me. 'Shape of my Heart' is inspired by the chord sequences of Chopin. The difference is adding a Latin beat. 

Q: I just wanted to tell you how much I love the video for Adagio in G Minor. I love that song... beautifully written. I wonder sometimes what gives you the inspiration for a new song. People, places, things. - from Laura 

A: That is the only solo video I have done. I hope to do more. The things that inspire me to play and write music are not music itself. It's people, places, feelings, experiences and emotions. I study music always which helps me to translate the above to music. I hope this makes sense. 

Q: I wanted to know about the inspiration in your works. Does it arrive in some kind of casual way or is it the result of the discipline. - from Kristina

A: What inspires me to write music is not music, but experiences with family, friends or just day to day stuff. My role is to interpret these experiences into music or a sequence of notes. Music is a language that most people understand. Using words is not my forte. I hope I see you soon! 

Q: I was wondering if you have you ever been curious as to what Andy Summers thinks of your interpretations of the guitar parts for Police songs? Have the two of you ever discussed playing those songs? The other thing is that I noticed your Space Your Face Sticker on your guitar during the 'Ten Summoners Tales' era. I pretty much worship the Dead, and always thought it looked awesome, so I stole your idea and put one on my guitar. - from Megan 

A: I think Andy Summers is a very influential guitarist who I admire a lot. When doing Police songs I like to play them as much as possible the way he did not only as a tribute to his role in the Police but because the really work. Plus I want the audience to know that I appreciate his playing. I put the Dead sticker on my guitar during a show in front of Dead fans while we were on tour with them in '94. The fans went nuts. I have kept it on there ever since. I too am a fan so it was a dream come true to be jamming with Gerry Garcia! 

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