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Dom's Colours by
Drew Dudgeon
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The following article
appeared in a November 1999
issue of the Argentinean newspaper Clarín.
The author was
'Silvia Maestrutti'
(translated into English by
Matias Pirolo). |
He's
Argentinean and for nine years he has played guitar in the former
Policeman's band. In 2000 he will be in Buenos Aires presenting Sting's new
record.
Although he is not from
Cordoba as the legend says, Dominic Miller lived for the first 10 of his 39
years in Argentina. He remembers that he grew up in Hurlingham, and the
football team he supports, River Plate. In London he studied music and from
very young he worked as a session guitarist for Phil Collins, Peter Gabriel,
The Pretenders, Sheryl Crow before joining Sting's band, where he has been
for nine years and four records. With him, in Las Vegas, he started a tour
that for 14 months will keep him travelling around the world, far away from
his home in Wimbledon and from his four sons - the eldest, Rufus, (14) is
also a guitarist.
Is Sting,
with his band, like the school teacher he used to be?
He's the boss and he's super
professional. He listens to everything that's happening and a gesture from
him is enough for us to understand there's a sound he doesn't like. He lets
us improvise things that don't happen with others.
For
instance?
With Phil Collins, George
Michael or Elton John you can't experiment, they are very strict. Sting lets
you grow, he doesn't push your head down.
How did
you met him?
In an audition in NYC, in
1990. He asked me if I knew Fragile and I, nervous, said "No, is it
yours?". The technicians were dying of laughter!! Sting played it for me,
then I played it for him, and then he employed me.
Do you
have to put yourself in the skin of Andy Summers when Sting plays The Police
songs?
I try not to change the guitar
arrangements as a tribute to Andy. I love those songs. I think The Police
were the best band of the 80s. And I always loved how Andy Summers played
the guitar.
Which
songs of the trio the fans keep asking for?
Roxanne, of course.
But also Synchronicity, King Of Pain, Message In A Bottle, Every Breath
You Take, Every Little Thing She Does Is Magic... People go wild, and
they are the best moments of the shows.
Live, it
seems that Brand New Day is more difficult to play than the previous albums,
is it like that?
Is a record that has been very
produced, with a lot of sequences and different sounds. The problem is that
the band changed. We have to know each other to obtain equilibrium. By the
time we will play in Argentina, next year, we will sound very good.
Did you
play with Sting in Argentina?
Unfortunately just once,
presenting Ten Summoner's Tales, I think back in 1994. It was in
Cordoba (actually it was Rosario) and in Buenos Aires, and I loved it. The
sad thing was that I played in Velez Sarsfield Stadium and not in River
Plate, which had always been my ambition.
His
audience shrank?
Grew old. They prefer to see
him in small places, they don't want to wait under the rain or see the
musicians far from them. We are all older.
But you
played football with Alejandro Lerner (Argentinian Musician)...
The bigger problem wasn't age,
but that he supports Boca Juniors. I met Alejandro in a composer's meeting
that is held regularly in Miles Copeland's castle in France. We composed
something and invited me to spend some days at his home in Palermo. We made
4 or 5 songs, he is very prolific. Besides, a great musician, clever, good
entertainer and with an equipment that turns him, I believe, into the
Argentinean Phil Collins.
What other
things do you do?
A bit of everything. I'm a
devotee of his band, but I like to work in other fields too, as a session
musician of pop stars - like Boyzone and Backstreet Boys, for instance - or
composing my own music. They are classical arrangements with acoustic guitar
(one of his songs is called La Boca), songs that won't change the world but
that they are liked by a few fans.
©
Clarín
| November 1999
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