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"Strongman" © Dominic
Miller
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25 March 2008
First, I want to say how
happy I was to see Amy, Michelle and Anna in Orange County, California while
I was working with Peter Kater. My son Harley came with me on this trip kind
of as "hand luggage". It was a very creative week with Peter. We recorded 11
tracks which are now in post-production. The album is just acoustic guitar
and piano. The only other additions are some cello from the incredible
player Jaques Morelenbaum and some vocals from one of my favourite singers,
Kenny Loggins. What both of them contributed to this album is stunning. I am
hoping it will come out soon.
While I was in Orange County I felt like I had been transported into the
Sims. As if someone in Korea might have made a mistake with their laptop or
got a bug in the game, which was Harley and I: a British musician and a
teenager. It's like we came into the program just to corrupt the general
feel of things and challenge the user. The dogs started barking erratically,
two point two kids saw us and fell off his bike, Mom bumped her SUV into the
trash can (nothing new there), Dad came home late from work and the garage
door gets stuck, probably meaning the remote needs a new battery etc.
The user freed us from the game and put us on a plane back to England. Once
again I was sitting at the back. I couldn't sleep, and I think I played
Tetris for about 9 hours straight. I can still feel the blocks falling on
me. I am getting used to this economy travel now. If ever I write a memoir,
this chapter will be titled "The Easyjet Years" or "68K". Ok Sting, I give
up. Haven't you had enough of the "ex" yet?
But to be fair, I am having quite good fun. I still love working with Sarah
Jane Morris. We have had some great shows, particularly in Milan (Blue
Note), London, Brighton and others. I had a fantastic time working with
Avitall in Berlin. It was great being given the opportunity to arrange some
very well known Jewish songs into my style, with my band, and then perform
them in one of the most impressive synagogues in the world. I am sure I will
work with her more in the future. I certainly hope so. There are plans to
try and do a kind of synagogue tour, which would include New York, Buenos
Aires, Morocco, and other key cities. I will keep you posted. I have also
been to Madrid to work with the Fado singer Mariza. She really is an
incredible artist. The producer was Javier Limon who is a multi Grammy award
winner. He produced one of my favourite albums "Cositas Buenas" by Paco de
Lucia. Heavy duty modern flamenco. I was very happy to work with Javier and
really hope I do more with him. He is also a seriously good flamenco guitar
player. Check him out! I am planning to go back to Madrid to study with one
of these dudes for a week or so. I never really had that style together and
kind of fancy adding a new genre, or weapon to the arsenal. A dangerous one
at that.
William Topley has come over to France a few times for some
writing/recording. We have written three great songs (I think). We may have
the makings of an album which I will let you know about as it develops. For
now, I will post the roughs we recorded which are far from complete, but
will give you an idea of where we are coming from. The first one is called
"Water Taxi" which is inspired by the year he spent living in the Bahamas.
Please let me know what you think (see link below)!
Water Taxi
I am in Paris now rehearsing for Yaron Herman's show at the New Morning club
tomorrow night. Words can't describe what an awesome musician he is. So I
won't try. I am really excited about doing this show. Then I am off to Italy
to join Sarah Jane for a show in Venice. Then I am on a break and Harley and
Misty come over to France. I will be doing some recording with them which is
always great fun.
You may have noticed we have posted some more dates on the site. There will
be many more to come. I really hope I see some of you there.
Love,

10 January 2008
Happy new year to all of you!
I think it's going to be an interesting year on many levels. Unfortunately I
won't be able to get it going as soon as I would have liked because on
December 21st I injured my finger (ring finger on the left hand) playing
football with Harley. It was one of those really silly accidents. I caught
the ball in the wrong way and then boom. Excruciating pain. The joint was
swollen and I couldn't move it. Naturally, I was quite worried and in minor
shock. I went to casualty where they did an x-ray which didn't show any real
break or dislocation apart from a possible chipped bone at the base of the
finger. The injury is common with basketball players (Go Milwaukee Bucks!).
What they did know is I had torn a ligament or two and suggested I see a
hand specialist. The next day I couldn't move the finger at all. I tried
calling every hand specialist in the region and of course they were all on a
break. It's only last week that I finally managed to see someone.
He knew right away what the problem was. I don't know if it was by looking
at the hand or my eyes. Right away he said: "Two torn ligaments... nine to
twelve weeks or more to heal properly". He also told me I should keep moving
it and to remove the splint which apparently wasn't helping. I then told him
how important it was for me because I am a musician and stressed how I
really need my fingers working. He gave me an incredulous look and said:
"Your profession isn't the only one that relies on the fingers". Ouch I
thought. He gave me a prescription of some cream to massage into the finger,
wished me luck and sent me on my way (to pay the bill which was very
expensive for a five minute session).
It was a psychological boost knowing it would eventually heal, but more
importantly, what I walked away with was a valuable lesson which I am still
trying to process. It has something to do with bringing oneself down to
size. Our egos can sometimes get the better of us to the point we think
everything we do is 'meaningful'. Many people in the arts suffer from this
delusion. This might also be why we have little accidents which, if read in
a certain way, could be signs. So I can't play the guitar right now (this
explains why I have the time to write a newsletter... sorry for the delay).
I suppose having a finger not working could be like being a writer and not
being able to use the letter E. I have spent the last couple of weeks
wondering what on earth is it I can or could do other than be a musician. I
kind of fancy the idea of being a multimillionaire investment banker,
property tycoon, steel magnate, formula one racing driver, or anything that
makes me super rich and powerful. Or I could be a plumber, waiter, gardener,
street cleaner (come to think of it, the last plumber we had arrived in a
new Merc). The point is, everyone is important and everyone is unimportant.
I saw a fantastic TV show this Christmas. "The Extras Christmas Special",
starring Ricky Gervais who created "The Office". Extras is a story about
exactly that; an actor who only gets extras parts. Finally he gets what he's
always dreamed of where he is in a position to write and star in his own
sitcom. But unfortunately he isn't happy with the show nor the producers. He
has the highest ratings on TV but the series sucks and he knows it. He
becomes rich and famous, wins awards, but is not respected by his peers. His
career then takes a nosedive and his dodgy agent gets him all that is
available which is being a contestant on "Celebrity Big Brother". This is
when he said something that spoke loudly and clearly to me. He looked at the
banality of his situation and questioned how actors, musicians, writers,
celebrities etc often say their craft is "in the blood" and they couldn't do
anything else. He then went on to say that that is because they don't want
to or refuse to get a normal job. Yes, I feel fortunate to have a talent
which has allowed me to forge a career for so long but part of me has always
thought I have been getting away with something.
Reality. Music has made me happy but it's not the be all and end all. I feel
there is something else out there more meaningful. Like real work maybe.
I am rambling again. What all this has to do with my career I don't know.
Someone wrote to me after a recent newsletter saying "Are you trying to be
humble or something" when referring to the Mike Stern look-alike incident.
Bollocks I say. After my death I will be donating my ego to science. Not my
kidneys. No, I am not humble, neither am I weak-willed. I am going through
some kind of crisis at the moment because I am seriously questioning the
validity of what I do as a musician. I suffer from bipolar egoitis. I think
I am great one day and lame another. Having this finger ailment is giving me
time to think about what the !@#$ it is I should be doing with my life. But
am I happy? Absolutely, because I am a member of the best family in the
world who I can love and be loved by. This is the right place for me to be.
It beats being in a band (not by much though).
Back to reality: While I contemplate the importance of my place in the
universe I will eventually have to get back on the bike and pay some bills
(six kids, a wife, an ex, and some rather impressive overheads). There are
plans in place which I will follow, God willing. I plan to do more shows,
writing and recording with Sarah Jane Morris, more writing and recording
with my favourite singer/lyricist William Topley, I will be working with the
Portuguese artist Mariza, the German/Israeli artist Avital, the trumpeter
Otto Sauter, my favourite pianist in the world Yaron Herman, and the
greatest drummer in the world Manu Katche, I will be writing and recording
an album with Peter Kater, and getting involved in many other studio
projects. I will be doing some more recording with my band and there are
shows planned. Details of all this stuff will be posted on the website soon.
That puts the housework out of the way. And now, back to fantasy land. Or
maybe not. I don't have any funny stories with this newsletter. Maybe next
time. I am thinking of you all and will keep you posted on all my movements
as they transpire should you be at all interested. I feel very fortunate to
have such a loyal fan base and really appreciate all the support I get from
you. You are the best. By the way, thank you to the MiFe boys and girls who
set up a trust fund in my name for children's hospitals. In 1997 my niece
Naomi died aged nine of carcinoma cancer at the Great Ormond Street Hospital
in London. A great place. (The song "Rest In Peace" from the "Second Nature"
album is dedicated to her). Your generosity means everything to me and shows
how lucky I am to be associated with you.
Love,

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